«I chose the Tableau Vivant to differentiate myself, not to offer an excessively performative dimension in art. The static image gives me the possibility of isolation, but also of being like hovering over infinite time».


From an interview written by Federico De Melis in Alias, pagg. 4-5, Il Manifesto, 2003 in L. Meloni, Arte guarda arte. Pratiche della citazione nell'arte contemporanea, pagg. 74-75, Postmedia Books, 2013